We work on a wide range — films, TV commercials, documentaries, corporate and branded content, audio dramas, and games. On the audio post side we handle the full pipeline or individual elements, depending on what you need. On the music side we work with brands, filmmakers, and artistes on everything from original compositions to full production and recording.es here

Yes — and it's one of the things we're genuinely proud of. We have a dedicated Foley pit on-site, which is rare in Singapore. Whether you need a few specific effects or a full Foley pass for a film, we can handle it in-house.

Earlier than you think. The most common thing we hear from new clients is that they wished they'd brought sound in sooner. Whether it's a film, a campaign, or a brand project — the earlier we're involved, the more we can do for you. Sound isn't just the last step in post. It's a storytelling tool. The earlier it's part of the conversation, the stronger the final result.

Absolutely. We work with clients across Southeast Asia and regularly deliver remotely for productions based outside Singapore. If you're regional and looking for a trusted audio partner, we'd love to hear what you're working on.

The easiest way is to reach out here with a short description of your project — what it is, what stage you're at, and what you need from us. We don't have fixed rate cards because every project is different, but we'll get back to you quickly with a clear picture of what's involved and what it costs. No obligation.

It depends on the scope. A short commercial can move through audio post in a few days. A short film or documentary is typically one to two weeks depending on complexity. Larger projects — features, series, or extended music production — we'll scope out properly at the start so there are no surprises. If you're working to a tight deadline, tell us upfront and we'll let you know honestly whether we can make it work.

Yes. We're set up for remote sessions and regularly work with clients who aren't based in Singapore. We can share files securely, run remote review sessions, and keep you in the loop at every stage. You don't need to be in the room with us for things to run smoothly.

A few things. We have one of the only dedicated Foley pits in Singapore, which means we can handle Foley fully in-house rather than outsourcing it. We also cover both audio post and music production under one roof — so if your project needs both, you're not coordinating between two different vendors. And we've worked across a wide range of formats and budgets, from regional brand campaigns to projects for Marvel and Disney, so we know how to adapt without compromising on quality.

Not much — a rough brief is enough to get started. It helps to know what the project is, what stage it's at (pre-production, picture lock, etc.), and what deliverables you need. If you have a script, cut, or reference files, even better. But if you're still early in the process and just want to talk it through, that's fine too.

Yes. Beyond film and advertising work, we produce music for artistes — from individual tracks to full projects. Our studio handles live recording for vocals and instruments, and we work closely with artists on the production side to get the sound right. If you're an artiste looking for a studio that takes the craft seriously, come in for a conversation.